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Dudley C. Carter Eagle and Ram Totem Carved Redwood

$ 2373.35

Availability: 100 in stock
  • Condition: Excellent
  • Refund will be given as: Money Back
  • Return shipping will be paid by: Buyer
  • All returns accepted: Returns Accepted
  • Item must be returned within: 14 Days
  • Artisan: Dudly Carter
  • Restocking Fee: No

    Description

    Offered by
    Antique American Indian Art, LLC
    ---AAIA---
    Dudley C. Carter  Eagle and Ram Totem Carved Redwood
    56''x12''x9.5''
    Mid 20th century
    Similar to his work ''High Mountain Companions'' located in the Redmond Town Center. Signed on verso. Some scattered surface wear from age.
    Dudley C. Carter (May 6, 1891 – April 7, 1992)
    was an artist and woodcarver from the Pacific Northwest. His works are on display in the U.S. states of Washington, Oregon and California. There are also works of his on display in Japan and Germany.
    Carter was a participant in the "Art in Action" program during the 1940 season of the Golden Gate International Exposition (GGIE). He was also the first King County, Washington Parks and Recreation artist-in-residence when he was 96 years old.
    Carter was born to a pioneer family on May 6, 1891, in New Westminster, Canada. His father was originally from Barbados, and his mother was from Quebec; they came west in 1891, shortly before Dudley was born. He was a timber cruiser and forest engineer most of his life, exploring and mapping Pacific Northwest wilderness. The chief inspiration for Carter's art was his childhood among the Kwakiutl and Tlingit Indians. He moved to Washington state in 1928.
    Carter was a participant during 1940, in the "Art in Action" exhibitions during the 1939–1940 Golden Gate International Exposition (GGIE) on Treasure Island. During that time he became a friend of Diego Rivera, who included Carter three separate times in his mural Marriage of the Artistic Expression of the North and of the South on this Continent and once in the Pan American Unity mural. Rivera said the following about Carter: Here in the Fine Arts Building there is a man carving wood. This man was an engineer, an educated and sophisticated man. He lived with the Indians and then he became an artist, and his art for [sic] was like Indian art—only not the same, but a great deal of Indian feeling had passed into him and it came out in his art. Now, what he carves is not Indian any more, but his own expression—and his own expression now has in it what he has felt, what he has learned from the Indians. That is right, that is the way art should be. First the assimilation and then the expression. Only why do the artists of this continent think that they should always assimilate the art of Europe? They should go to the other Americans for their enrichment, because if they copy Europe it will always be something they cannot feel because after all they are not Europeans. — Diego Rivera
    There are three works by Carter on the City College of San Francisco Ocean Campus, The Ram (sometimes called the Mountain Ram),Goddess of the Forest, and The Beast. Dudley had donated The Ram because he knew it was the school mascot and it had been part of the Golden Gate International Exposition's Arts in Action exhibition. The Ram sculpture stood outside on the campus periodically changing locations from time to time, students would coat it in paint with campus colors red and white. Sometimes rival schools would repaint The Ram in their own school colors. By 1980, The Ram had many layers of paint and damage and in spring of 1983 it was restored by Carter with use of a pick axe and its original, natural redwood. Currently located in the lobby of Conlan Hall, on the Ocean Campus. The Goddess of the Forest is another redwood sculpture created during GGIE. It is very large, standing at 26 feet tall, and had a girth at the base of 21 feet. For years this piece was located at Golden Gate Park, until 1986, when it began to show distress and decay. It was then moved to CCSF, to an indoor location awaiting restoration.
    After a brief illness the artist died in his sleep at the Slough House residence, just a month short of his 101st birthday on April 7, 1992. He is buried near Stave Falls, B.C.
    Slough House is now owned by the city of Redmond. The artist bequest included his art studio, fashioned in the manner of a native Haida dwelling, and a group of monumental wood sculptures of the sort that brought the sculptor to international prominence.
    Upon his death, Congressman Rod Chandler honored Carter with remarks in the Congressional Record
    180610-02
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